In Two Hands there's that vulnerability too. The scene in the train got to me. Damn it.
I loved Heath in Two Hands, and it was a good film. The opening scene, when he's being dragged off by the bad guys, and his reaction to their interrogation: he plays that so well.
I love a Knight's Talel--it got fairly good reviews. It had a lot of energy. The first time I saw it, and saw the scene
where Heath's character meets his father, I thought Heath was so moving. In this light-hearted film, suddenly there is depth
in this small scene. It was almost as if it was from a different film. But you saw what Heath was capable of, the depth of emotion,
how he transports the audience into a character's feelings and the heart of a moment.