Thank you, Vince, for your All of Us Strangers post.
I saw the film a few weeks ago at the Melbourne Queer Film Festival. I was uncomfortable sitting at close quarters in a sellout audience. It had been so long since the festival films were screened in cinemas that I forgot to ask for the assisted listening system to be turned on. Before the film itself began, there was a separate short video introduction by the director himself in a completely different setting and I heard every word clearly. However, I couldn't discern more than a few words of the film itself, which was very frustrating because many, many key scenes are conversations between the characters. I've always been able to understand Andrew Scott's accent in his previous films.There were a number of scenes which I did enjoy on a purely visual level, but I didn't understand what happened in the latter part of the film.
An independent chain screened the film at their many cinemas the other night as a one-evening gala event with a glass of bubbly. Unlike the version I saw at MQFF, the trailer was captioned. I suppose for general cinema release, many audiences would have difficulty with the Andrew Scott's light Irish accent and with Paul Mescal's accent as a Mancunian character. I debated whether or not it would be worth my while going to see it again particularly as it would mean going by myself so that my partner would come home from work to an empty house which I know makes him very uncomfortable.
I read quite a lot of reviews from various film festival screenings here and in other countries, none of which contained any spoilers
Having decided not to book a ticket, I suddenly understood the climax and denouement of the film
The theme of the film is grief and loss but there are scenes of comfort and happiness. For several reviewers the film relates to their own experience and they found it cathartic.