 | Hear ye! Hear yea! In honor of the Netflix and Shondaland romance smash hit Bridgerton’s third season, Netflix decided to gift two lucky fans a royal wedding of a lifetime. That’s pretty typical, as far as television network sponcon and promos go. But the two lucky Bridgerton Superfans who won the wedding of their dreams? They’re a Black lesbian couple, which I think we can all agree, decidedly, is not.
Tiffany Rae and Shanti Hinton are high school sweethearts who attended the 2023 Bridgerton Queen’s Ball fan event in New York City, shortly after Netflix reached out and offered them a wedding straight out of the fairy tale books (errrrm, Julia Quinn romance novel/Shondaland imagination factory).
As reported by People, “for their big day, which was planned by London-based luxury wedding and events agency, Alice Wilkes Design, Rae and Hinton tied the knot under a canopy of cascading florals and greenery.” And if you’ve ever watched Bridgerton, you already know the vibes are giving opulence. It’s giving fantasy and luxury.
They were surrounded by their close family and friends, but the entire event was filmed for a Netflix special to premiere on May 21 — and I have to say, even the trailer is left me in a messy pile of heart flutters, cheek-breaking smiles, and is just overly positively swoon worthy.
It appears that as a part of their filmed streaming special, Rae and Hinton got to meet various cast members, including tea with Gold Roshuevel (who’s also a lesbian) and Adjoa Andoh, otherwise known as thee Queen Charlotte and Lady Danbury! I’m sure the whole event had special meaning for Rae and Hinton in particular, who have both felt personal connections to the famed TV series.
Lesbian Couple Wins Wedding |
The Mummy
 | I don’t remember where I was when I first watched The Mummy (1999), a movie seemingly made for every teen obsessed with hieroglyphics and checking the sidewalks for stray asps. I might’ve gone to see it at the theater, peering through my hands at the deaths by carnivorous scarab beetles. I might’ve encountered it at a sleepover, doing my best to stay in my sleeping bag as the adrenaline surged. I might’ve just been channel-surfing to find Nick at Nite, only to stumble upon some of the best hair I’d ever seen on film flouncing in the locust-laden wind. Whenever it was, I’m pretty sure I don’t remember the details because I was too busy picking my jaw off the floor at the sight of such hot people searching for treasure in an even hotter desert, too busy pretending like my tiny world wasn’t collapsing in on itself at the speed of a flirty camel race. I might not have known exactly what it was I was feeling, but I at least knew that there was my life before The Mummy, and there was my life after The Mummy, and the latter was a whole lot more compelling in ways I couldn’t quite express.
Early on in the film, when curious librarian Evelyn (Rachel Weisz) meets wayward explorer Rick (Brendan Fraser), they immediately share an unmistakable truth: If they don’t mash faces with the other one as soon as possible, they just might die of thirst. She, faced with a wild-eyed man with a mysterious past, instinctively holds her breath when they make eye contact; he, certain he’s about to die, sees one last opportunity to make out with a heartstoppingly beautiful woman. Rick’s a classic Indiana Jones adventure hero type with the snarky grin to match; Evie, a stubborn academic with a simmering love of the exact kind of danger he represents. Both become supercharged with a desperate lust that surprises them equally, a tension that never once lets up throughout the rest of the movie until the titular mummy is vanquished and they can finally act out their clear carnal desires.
Looking back at my obsession with The Mummy (and its even more bombastic 2004 sequel The Mummy Returns), its root seems almost too obvious. There I was, teetering on the precipice between childhood and puberty, confronted with the charisma magnets of Rachel Weisz and Brendan Fraser at the height of his ne’er do well scamp powers. My friends also loved the movie, but when we watched it together, I sat there knowing I was watching it somewhat differently. It just took way longer for me to realize that when I saw that first scene of their characters meeting through the bars of Rick’s prison cell, locking eyes and knowing their lives would never be the same, I was relating extremely hard to them both. They wanted each other so badly, so obviously, that it made me realize — years before I ever said it out loud — how badly I wanted them both, too.
The Mummy |
Insurance Law in Peru
 | Hundreds of protesters in Peru's capital marched on Friday to demand the scrapping of a new law that describes transgender people, among others, as having a mental illness so they can access health benefits.
Around 500 demonstrators peacefully walked the streets of downtown Lima, hoisting banners with slogans that read "No more stigmas" and "My identity is not a disease."
The law, which was approved administratively last week by the government of President Dina Boluarte, specifies that those who identify as transgender, along with "cross dressers" and "others with gender identity disorders," are considered to be diagnosed with "illnesses" that are eligible for mental health services via both public and private providers.
The protesters reached the health ministry offices, but no clashes were reported.
"Gender identities are no longer considered pathologies," said activist Gahela Cari Contreras, who accused Boluarte's government of trying to trample on the LGBTQ+ community's rights. "We're not going to let them."
Insurance Law in Peru |
"Slow" Gets Asexuality
 | Cinema, as an audio-visual medium, offers seemingly endless possibilities for representation. Film characters live and breathe on the big screen and their presence can be self-affirming to viewers of underrepresented groups or minorities. But screen depiction relies on visual and aural markers – such as skin colour, voices, and bodies – posing a challenge for the sexual identity defined through lack: asexuality, the so-called "invisible" orientation.
An asexual (ace) person does not experience sexual attraction, as defined by The Asexual Visibility and Education Network (AVEN), a resource website and forum for the world’s largest online asexual community. Past studies have suggested that around 1% of the world's population is asexual, but it's difficult to gauge exactly, because of the stigmatisation that still surrounds asexuality and the wide spectrum of inclinations and experiences that can be classified as asexual.
Some ace individuals have romantic proclivities, while others are aromantic; some might engage in sexual activity in agreement with their non-asexual partner, while others avoid it altogether. As for asexuality on screen, even if there is no study that has quantitatively looked at its portrayals as yet, it is fair to say that films with asexual characters make up (way) less than 1% of film history.
While allosexuality (experiencing sexual attraction) is still an assumed norm, both in cinema and real life, one new film stands out as a pioneering study of intimacy not relying on sexual desire. Slow, the second feature by Lithuanian director Marija Kavtaradzė, premiered at last year's Sundance Film Festival and took home the best director award. In their statement, the jury praised Kavtaradzė for her "expert direction guiding her audiences to discover their own answer to the question: 'What is desire?'" The film focuses on a romantic encounter between two people figuring out how to be together without the glue of sexual attraction. Sex is important for Elena (Greta Grinevičiūtė), a professional dancer who experiences the world through her body and Dovydas (Kęstutis Cicėnas) who is a sign language interpreter, identifies as asexual.
"Slow" Gets Asexuality |
City Manager is Ally
 | Taylour Tedder, whose appointment as the new Rehoboth Beach, Del. city manager has come under fire over his salary and benefits package, is described as a strong and committed LGBTQ community ally by the leader of an LGBTQ rights organization in Boulder City, Nev., where Tedder served as city manager for three years before being hired for that same position in Rehoboth.
He is scheduled to begin his new job in Rehoboth on May 15.
Brynn DeLorimier, president of Dam Pride, the LGBTQ organization of Boulder City, told the Washington Blade Tedder played a lead role in helping the group successfully lobby the mayor and City Council in what she calls a conservative, Republican-dominated city to approve earlier this year a first-ever proclamation naming June 2024 as Pride Month in Boulder City.
“I feel he’s very supportive,” DeLorimier said. “We’re really, really sad to see him go. I have a feeling we won’t find a city manager as progressive and diplomatic as he is,” she said. “So, Rehoboth Beach is really lucky to have him.”
Since it voted unanimously on April 8 to hire Tedder as city manager, the seven-member Rehoboth City Commission, which acts as a city council, has come under criticism from some Rehoboth residents for providing Tedder with a contract that includes an annual salary of $250,000, coverage of $50,000 for his moving expenses, and a $750,000 house loan that will be forgiven in full if he remains in his job for seven years.
City Manager is Ally |
Your Laugh For The Day!
Contributors: CellarDweller115
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